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For the record, their return seems as far away as ever. Another confusion saw me scuttling for reliable research material — ended up going via Wikipedia, and no less that two count them, two!

Facebook pages — to work out that Dune is the new performance guise of often-commercial, old-school soul singer Jade MacRae.

Swathed in mummylike swathes of material to de-emphasise her sex appeal, she makes echoey shimmering electronica. Think Ladyhawke on the Nullabor.

Plains develops briskly, its aggression tenuously balanced out with softer songs like the sinister melancholia of This City Is Coming Down.

Their voices perfectly complement one another. It took approximately six years, but The Laurels have crafted a flawless debut record with Plains.

The most startling aspect of the album is its constant originality and relentless surprises, filling the record with an overwhelming sense of movement and spontaneity.

He has learnt from those missteps and taken his writing and arranging to an impressive place on his new album, The Sparrow.

From the opening notes of the superb Travelling Shoes, it is clear that this is an album of lush, ornate pop of the highest order.

His singing throughout The Sparrow is a real revelation with prevalent falsetto that is sweet and full without an ounce of strain or angst while the ghosts of Elliott Smith, Harry Nilsson and John Lennon are often conjured up, particularly on the shuffling ballad, The Listening Times.

Who cares what folks think — post rock is still alive. With The Sparrow, Milne shows he is right at the top of his game in terms of his writing and the ability to capture his songs in the studio.

The arrangements are epic and the dynamics are well-constructed with peaks and troughs executed with discipline. The musicianship is still a little rough around the edges, and the atmosphere is consistent to a fault, getting a little repetitive.

Loose playing and track layering can work if the band utilises excess texture and production effects, but since theirs is a relatively naked sound with not much tinkering, the seams show.

Regardless, Gold And Red is a good effort and a gutsy, if theatrically sombre, entry in a genre that refuses to fade out.

Arriving with spectacular timing in the mid-to-late noughties, their shimmering electro-tinged synth-pop was so utterly zeitgeist and thoroughly popular that immediate backlash and disappearance seemed almost a certainty.

Their inability to deliver new material in the years following debut album, V, seemed to confirm it. Yet, Idea Of Happiness has arrived and, somewhat unbelievably, it is actually somewhat unbelievable; daft and silly, in its own way, but remarkably well-crafted and genuinely irresistible.

Fundamentally, Van She are still a pop-rock act in electronic clothes. Those clothes are just dazzling. The instrumental backdrops of the album are defined through mobility, swiftly morphing synth hooks and spontaneous bursts of colour exploding out of nowhere.

A big, somewhat messy breakdown dominates every track however, and is sometimes so full-on it that it overpowers everything else around it.

What Reason Could I Give is a great way to finish the album with its gentle, delicate beats and vocals that leave you feeling comforted even after the song is finished.

With the main lyrical fodder coming from the trials and tribulations of touring life and band commitments the darker, oft-forgotten side of the rock dream , frontman Jonathan Vigil employs more clean vocals on Get What You Give than on previous releases, but in the likes of lead single, Engine 45, Thirty Three and Face Value, this complements the songs perfectly.

When Tankian lets his voice loose, like on the insistent ballad, Butterfly, he really soars. The themes are standard Tankian fare: Yet this is how Tankian performs, his need to communicate a point that has oft come at the price of lyrical beauty.

The songs each climax and drift away masterfully, throwing in key changes that Tankian climbs with little trouble.

As he repeats the words angrily towards the end, one realises that Tankian is well on his way to crafting near-perfect rock standards.

Harakiri is Tankian back on form and moving ahead in his quest to be a messenger to the masses. Back with a newly refined sound, their sophomore release is a no-nonsense mix of 12 melodic death metal tracks.

Iconic underground music artist and filmmaker Rob Zombie has announced he will release an all-remix album entitled Mondo Sex Head next month on Friday 3 August.

Each track was hand selected by Rob Zombie, who road-tested many of the songs in his car while driving the L. Zombie is taking an alternative approach in the digital retail space with Mondo Sex Head, the album being preceded by two separate, digital-only EPs, with tracks taken from Mondo Sex Head as well as other exclusive bonus tracks.

With five releases under their belts, the band is preparing to re-release their incandescent album Local supports for American singer-songwriter Tim Barry have been announced for his Australian tour in August.

Their single Engine 45 has already amassed over , views on YouTube and is a powerful anthem that does justice for the band. Are You Gonna Eat That?

So get set to Run Riot, be an Animal and Rocket like never before! So come one, come all, to No Life Til Leather! Here is the disclaimer: I did not write the cheesiness above.

Armageddon to the rest of the column now… Having worked with The Living End back in my EMI days, I can attest to their heavy music credentials, even if they appear to play more rockabilly swing than downpicked metal.

They still play a mean set of kick-ass riffs! They have booked The Retrospective Tour for November where, like so many bands lately, they will be playing all of their albums in full!

The boys will play seven shows in a row at The Hi-Fi and they are as follows: To the gigs this week:.

You can even buy The Big Red Ticket, which lets you catch every single show in one sweet discounted package!

Wollongong groove thrashers Nekrofeist will soon release their new album, Studios in Wetherill Park. Some of it has already been played on Distortion and their clips are regulars on Headbangers Ball.

The guys sent me a copy to check out and it will definitely kick your ass. The band will be supporting US thrashers Warbringer in October but you can see them this month at The Stag when they take the stage on the Saturday This is the death of Ruins as we currently know it If that sounds like you, check the Art As Catharsis.

Titled Their Legacy, Your Burden, the EP is made up of six bone-crushing tracks that will blow out your speakers and see you moshing all over your bedroom.

Having formed in , the band have cemented themselves into the Sydney hardcore scene and quickly developed a reputation for an explosive live show by supporting the likes of The Amity Affliction and Parkway Drive.

Aftermath will be putting their live skills to the test this Friday 13 July at the Burdekin Hotel when they officially launch their EP.

Keep an eye out for these details, as well as information regarding a round of shows around August.

Big news this week from the Hopeless camp, when it was revealed last Wednesday morning that they had had a BIG shake up with their line-up.

The reveal began by informing fans that the band had spent the beginning of working on their second full-length, but that May had seen the band part ways with their vocalist, Brett Sutton.

In the coming weeks, the band will be wrapping up the sessions for their as-yet-untitled release, which is to be followed closely behind by details regarding a.

Their debut No One Gets Lost Anymore was a major stepping stone for the band, that saw them gain a huge fanbase. The album is set for release Friday 24 August through their home at Poison City Records, and as mentioned to coincide with the release the band will be hitting the road, visiting Sydney and surrounds this September.

Mark Saturday 8 September in your calendar, where the market will run upstairs at the Sando from 1pm to 5pm. Entry is free, and best of all, you can head down to the Annandale to see The Smith Street Band that night.

Head over to http: Meanwhile, up at The Valve, the Cerebral Violation Festival makes its debut in support of some of the best underground bands our fair city has to offer.

Doors open at 3pm and the music kicks off at 4. For over 20 years, Matranga has been making music as both a solo artist like when I saw him last or in many bands such as Far, Gratitude, New End Original and onelinedrawing.

Recently, Matranga resurrected the latter of these as a moniker for his live performances, stating that the name feels like home musically — and looks better on merch.

I strongly recommend heading along for one of the shows, so make sure you pick up a ticket when they go on sale next Thursday 12 July. The result is that the band have captured the raw sound and energy that was portrayed by these early bands.

Although only having formed a matter of months ago, the band have a hefty amount of experience under their collective belts, having played with numerous notable Adelaide bands across a decade.

The result is a self-titled 7-inch to be released Friday 20 July. Loud radio program ran their Half-Yearly Report.

So what were the top 10 albums that have his listeners rocking in this first half of ? Then finally, in first place, was The Ghost Inside with Get What You Give, proving yet again that is going to be a big year for the California metalcore act.

If you want to listen back on the whole top 20, you can through the triple j website. The show is well worth the listen especially because Stu premiered the title track from the forthcoming The Amity Affliction album Chasing Ghosts.

Last week marked seven years since the announcement that London had won its bid to host the Olympic Games. The following day, Thursday 7 July , London was targeted by a series of suicide bombings.

Thus from almost the day they were announced, these Games have been almost indelibly linked to matters of national security.

In this instance the cause was found to be an electronic cigarette, but in another unrelated matter, a dawn raid near to the Olympics site earlier that same day led to terrorist-based arrests.

Indeed, the industry has undergone a lot of changes but it still trucks on and artists always find new and exciting ways of getting their music heard and labels still seem to find a way to make money.

Of particular note, of course, is the rise of dubstep, which has gone from Croydon bashment music to a vehicle used to sell energy drinks in the US, as well as new and viable methods of labels getting their music out there, such as Drip.

See you at The xx in a few weeks. One of the most controversial defence initiatives is using surface-to-air missiles to protect the forbidden airspace over the sporting arenas.

By the time this reaches print, residents of the Fred Wigg Tower in Leytonstone will have been to the High Court over the plans to place these SAMs on the roof of their tower block, fearing that their mere presence will make their homes a potential target.

Those with tickets for any of the events will have to go through airline-style security, meaning no liquids over mls better decant your sunblock beforehand and allowing at least two-and-a-half hours to get to your event after arriving at the Olympic park.

After all the years of building, this will be their only chance to see it — for as soon as the Paralympics conclude in September, the entire site will be closed for another redevelopment, with some parts not open again until Both an enormous work of public art and a viewing platform, it sits beside the main stadium marking the gateway to the Olympic park and is visible for miles around.

To me it looks like it came straight out of the film Contact — seeming like a launch gantry for an invisible spaceship. It was genuinely disappointing when Paris lost in its bid to host the event as it would have been easy to get to, and just as easy to avoid.

After all, this is the biggest shindig that east London will see in this generation. So while holiday companies suggest getting the hell outta town you can still watch it on TV from a foreign beach , those who plan to stay in the capital for the Games period are being encouraged to remain in their own homes, even if that means working from home.

Well, our silly little phrase carried with it a nugget of truth. He came out with a huge statement on his Tumblr. He reflects on the girls he slept with as a younger man: Let it teach you empathy.

Let it teach you good grammar and creative punctuation. Let it teach you how brave some have to be just to be themselves. Few music subcultures are as dubious about homosexuality — in particular male homosexuality — as ours.

Also they roll ed with Syd tha Kid, a lesbian. Whether those articles eventuate or not, we are a step closer to being part of something genuinely open to all.

So that means that. Both have been working in the background of their genres for years and are now enjoying widespread attention. But the nauseating black-and-white clip for the track has been reposted and shared plenty online, no doubt adding to the burst of interest in Callinan, who is working on a debut album.

Those shows were spectacles: But he traded smiles with the crowd, gave us articulated lyrics and even some soulful melodies, as well as some incredibly touching moments.

He related to us in order to take us into his world. Get there for 7pm! High camp, sure, but the headline battle promises to be a doozy.

Dizaster is, for some, the best a cappella battler in the world. His opponent Jay Legend is, for some, one of the most impressive active battlers in Australia.

Jay Legend should put up a good fight. And good fun should be had by all who enjoy this type of thing. Daily Meds and Last Kinection will be playing.

But then watery beats and corner-hanging basslines take over, as if the centrepiece lyric of early song Ghostwalking has come true: But the otherworld is used as an extension of humanity on New War: And now to some inspiring news: After a fine was slapped on Good Jelly Artspace, a host of all ages shows among other things, the crew at Spaceport One organised a fundraiser to help them out.

We lined up one of the organisers, Tim Waters, to find out more. What happened with the Good Jelly Artspace and why are you holding this fundraiser?

The Good Jelly Artspace pretty much started out as a gallery space for art. They put forth the idea of having bands play in this council-funded space for the local community.

After a number of shows, there was a show that had a huge turnout and filled the space to almost capacity and most definitely not over as some stories have been told.

Good Jelly are looking at relocating and opening a performance and gallery space for the local community. How important is a new space for AA music in the Illawarra region?

This, however, does not. I personally know of a number of kids who will go to literally any length to sneak into a venue just because bands are playing.

This could easily be avoided by opening a performance space for everyone of any age to enjoy. Love is being lost very fast between the youth culture and the council.

Something needs to be changed. What do you think of the all ages scene in Sydney at the moment? The Sydney AA scene at the moment is pretty basic and doing really well at a steady rate.

It really depends on the bands coming through the area though. In a more dense population kids seem to be pickier with going to shows, whereas, in Wollongong, most kids want to go to everything.

Sydney, it seems, kids just want to see their favourite bands. Sydney is doing really well but can be even greater with a wider support group.

If the individual supports their AA local venues and record labels doing hard work, then they are more likely to have their favourite bands come out and play in those areas.

Come to Spaceport One on Friday 13 July, enjoy yourself and who knows, maybe your favourite band could be the next one from your local area?

Obese Records, too, has ventured into soul with Jess Harlen. The industrious Sydneysider is back with his third album in The Brainchild mckean.

McKean, whose lyrics deal with daily struggles in hip hop, love and life shows his flair on the cerebral Esoteric Arts. The classically-trained singer has been lowkey of late, though she was heavily.

Now MacRae has reinvented herself as Dune, self-producing the single Shoestring — avant sci-fi electro. Kelis will be jealous. OG typically ignores reality TV stars — they garner enough attention elsewhere — but, happily, Mauboy has long transcended any association with Australian Idol.

Next Mauboy, who starred in the smash movie Bran Nue Dae, will return to the silver screen in The Sapphires, which had its world premiere at the Cannes Film Festival to rapturous response.

The soundtrack a defacto Mauboy LP, surely is out late July. His major label debut is due. He needs to be more. Finally, according to his website, J-Wess is plotting another comeback after that failed attempt three years ago.

Bang This, the sequel? ROOTS DOWN While there is no doubt he was known best for his work as a comic actor, it should not be forgotten that Andy Griffith, who passed away at the age of 86 last week, also made some pretty decent records.

Rest In Peace, Mr Griffith. Harris, and it is with great joy that the reports of her coming out to Australia once more later this year have been completely confirmed.

Where do you begin with this wonderful artist? Sure, she has won 12 Grammys and has sat up the top of charts the world over plenty of times in her year career, but with all that put aside the only thing that really matters is the songs; and what songs they are!

Harper is once more making his way to Australia to perform a series of massive shows all on his lonesome. Tickets are on sale now. One of the most enduring country music artists still kicking around has to be the wonderful Emmylou.

But they have announced a pretty cool tour for October where they are opening it up to their fans to choose the setlists.

I am, of course, going to suggest you hit their website and vote for their bluesiest numbers so that we can all go along and have a real bummed-out time when they drop by Newcastle Panthers on Thursday 18 October and The Hi-Fi Friday The late, great Ray Charles was one of those artists through which all the major streams of contemporary 20th century popular music — blues, gospel, country and jazz — seemed to flow.

Wednesday night, keyboards player Lachlan Doley teams up with the piece Sonic Mayhem Orchestra for an evening in tribute to the music and the man.

Many feature live music, especially during the early week nights when. The singer has been much lauded for her ability to create intricate pieces of music.

For details and bookings, call 02 Saturday night, at Hibernian House in Surry Hills is the place double bassist and man of a million ensembles John Maddox will be launching his eponymous solo debut album.

Paul Sun Trio — 9. The group came together when drummer Garth Sundberg and guitarist Ron Thiessen discovered their mutual love of rawboned blues, altcountry, gospel, swamp and guitar instrumentals.

Sundberg, who many will know as the co-presenter of the Stormy Monday program on 2MBS-FM, was raised by his American mother on the sounds of post-war blues and gritty soul and spent a number of years in Chicago.

Thiessen first picked up a guitar when he was only nine and rose to early national prominence in his first band, the chartbusting Uncanny X-Men.

The Fumes maintain the rage at Notes along with Blackwater Fever. The Bluetongues are flat out like the proverbial lizard drinking at the Botany View Hotel from 7pm.

Add a little warmth to your winter with the highly anticipated return Sunday 15 July at 3pm of Sizzle to the Petersham Bowling Club.

Enjoy amazing food and cheap drinks with your friends and family as Ensemble Offspring showcase a smorgasbord of avant-garde contemporary classics mashed up with pop music, early music, late music and wtf music.

More info on that at a later date. Early this month, two stars of country music took to the stage in Massachusetts, bringing together two generations of country music fans: But my parents really like him.

The Cabin in the Woods — five friends go to a remote cabin in the woods for a rustic vacation… Bad, violent, gross and kinda funny things happen.

If you think you know this story, think again. Performed by David Collins, one half of the Umbilical Brothers. An old folk tale about a man named Lucky.

Closing today, STC, Sometimes the idea of family gets blurred, especially when the father of your kids is your brother. A film about instinct, incest, a social taboo and a violation of religious norms.

Boonah Exhibition — twenty artists from Boonah Creative Arts centre have placed their work for display to the public as an initiative of Centrecare Broken Bay.

Opening night, Gallery Red 6pm. Closing night, Parade Theatres, 7. Cake — written by Vanessa Bates about couples, cake and nothing being said with everything being meant.

For this is love done the contemporary way, conversations punctuated with text messaging, pleasures punctuated by food intolerances and happiness punctuated with rage.

An exploration of love and sex in the modern world, directed by Shannon Murphy. The stories are etched on their faces.

Scored by the Pigram Brothers in collaboration with Alex Lloyd. Thompson was interestingly one of the first two Aboriginal students to study at the University of Oxford on the Charlie Perkins Scholarship program.

Chalk Horse, until August 4. The Histrionic Der Theatermacher — a Fawlty-Towers-meets-Beckett rampage of satire on art, celebrity and the cult of personality.

Written by Thomas Bernhard and directed by Daniel Schlusser, a black comedy about Bruscon — national treasure, intellect nonpareil and finest living actor to grace the stage.

Sydney Theatre Company Wharf 1, 8pm until 24 July. The Duchess of Malfi — greed, incestuous jealousy and an excess of conflicting interests.

When the pieces fall into place his dialogue zips across stage, a verbal tennis match, a riveting rally between the characters, and the ensemble in this production, under the direction of Rosane McNamara, achieve such sporting theatre.

McNamara , feeble of body and mind, or perhaps just fed up — rise to the challenge. Alice Livingstone is outstanding as the middle-aged landlady of the manipulative Sloane a role that Brynn Loosemore charms the pants off, figuratively and literally ; as Kath she is doting and oddly dangerous.

Dave Drayton Running until Saturday 14 July. The Harvest arts program is asking for stage performances, live art, site installations, roaming performance, spoken word, comedy, circus, digital and ecological arts projects.

The deadline for Arts submissions is Saturday 14 July, so for info and to apply go to harvestfestival. Does Kwanten have a favourite zinger from his oversexed, loveable-dumbarse character Jason Stackhouse?

So how old was Kwanten when he moved to LA? Eleven years ago, so I was So I feel like Jonah does a lot of that.

We felt like that sorta cheeseball way. Kwanten expresses his frustration: Opening nationally Thursday 12 July. Long was performing in Coranderrk: We Will Show The Country when he collapsed on stage.

An ambulance was called and other actors carried him off. Soon after, the audience was told he was going to hospital for a check-up.

The play is about a parliamentary inquiry into why a successful farm run by Aboriginal people was closed in Victoria in the s. Coalition frontbencher Sophie Mirabella has been defending allegations she did nothing to help GetUp!

Mirabella says she was in shock. Sheikh was taken to hospital but is okay. She starts her new job in August.

Her background is in law and corporate advice. A woman will face a Sydney court next month charged with the The twisted rhyming-verse tales of Roald Dahl had always fascinated Erica Harrison.

They were on her mind when she began writing A Cautionary Tail, the story of a little girl born with a tail who must chose between conformity and self-expression.

The result is a darkly humorous parable in the form of an animated short film, featuring the voices of Cate Blanchett, David Wenham and Barry Otto.

By my early twenties I was an elite athlete, and I was getting funding to train for the Olympics. But after a bad car accident four years ago, Harrison lost that sense of magic.

In May, police received a report of a seller listing artwork by David Boyd, but failing to deliver the painting after receiving payment. Detectives allege that between December last year and this March, the 20 year old fraudulently sold art for thousands of dollars to multiple victims in New South Wales and interstate.

Some people will do anything to get on camera, like Jonathon Stenberg who recently auditioned for a movie role while he was on the run from police.

He apparently walked onto a film set in the remote Queensland town of Winton and auditioned for the thriller, Mystery Road.

He was being sought for questioning over the decapitation murder of his neighbour Edward Kelly. Channel Ten has fast-tracked the release of its new reality television show, The Shire, which is now due to go to air Monday 16 July.

The show has already been criticised with comparisons to US reality show, Jersey Shore. Residents from the Sutherland Shire, where the show is set, have also kicked up a fuss to filming on their streets, saying it will damage the reputation of the neighbourhood.

The cast apparently includes models, surfers and entrepreneurs. Paul Andrew speaks with Stafford about all things Anglo-Celtic and the darkest side of the male psyche.

Under the inspirational Garry Hynes it just went on from there and the link has never been broken. It was a Druid tour in that first brought me here to Australia.

A group of young actors — all male twentythirtysomethings — who decided to stick together and keep going. The first step was financing it. Unsure what to expect, they picked a cautious sum that was less than was needed.

Donations came from the usual suspects such as friends and family, but quickly the film was featured on the Kickstarter blog and over people donated to the campaign, many of them.

His characters are so brutal and so vulnerable. They have deep insecurities about most things in life and seem to lash out at the world when unable to cope or face its pressures.

He offers humour as part of the solution, but above all, he offers hope and redemption. According to Harrison the key is the extent to which contributors can personally relate to a project.

You get to deal with stuff and let insignificant things go. You get to the core of yourself. Our people have been saying this for years.

You can become part of this groove, this channel. A homage to the lake and its surrounds, Terrain is an exploration, an offering, an expression of connection to place, past and present.

The company spent time at Lake Eyre getting to know the local Arabunna elders and making sure they got their stories right.

Rings and Page talk about the deep connection they felt with the area. A couple move into a new house with less than perfect neighbours.

From director Rolf de Heer, the man behind Ten Canoes, comes this new Australian drama opening nationally this.

As Aboriginals we are always trying to prove ourselves. Story is rekindling culture; we can all embrace it, all learn from it.

We all come across our challenges and are finding ways to reinvent ourselves. How do we maintain and protect culture, present a living history?

How do you respond to it? This is our country. This is our voice. The stories affect all of us; you open yourself up to it.

I am part of the storytelling process, that traditional storytelling. Despite the world saying otherwise Kyle believes his less than traditional path was exactly the right course to take.

Those that won the ticket frenzy were treated to a surprise and unadvertised support act in the form of Arj Barker, who plays mate Dave in their TV series, with his relaxed observational comedy hitting the spot perfectly.

Surry Hills Festival on the 27 October is calling for installation artists, performers and other creatives to showcase their work at this annual festival, set to be staged in Prince Alfred Park.

The founders of Peats Ridge Festival, the Festival Company, run by Matt Grant have come onboard for the first time this year to help maximise the funds raised by the festival for the Surry Hills Neighbourhood Centre.

I go out as soon as I can capture the thought in a photo. My friend and I started going to abandoned houses and took photos with his parents camera.

Spaces such as empty houses then have obviously been a huge influence in his work with an array of eerie rooms filled with a definite sense of quirky darkness, and even a balloon or 20?

Their perfectly weighted comedy songs were interspersed with long periods of banter, each equally delivered with just the right amount of polish removed.

That delivery ensured that older and betterknown songs still evoked a laugh even though the audience was well aware of what was coming.

They were at their best during the homage moments though with Inner City Pressure sounding more like the Pet Shop Boys than the band itself and their hilarious parody of Bowie.

The slowest and most gentle trashing of a stage followed the total rock-out complete with lowplunging tops of Demon Woman to close the set.

Back for the encore, they finished with a completely overplayed Sugalumps with more posturing than you would ever have thought possible.

The difference at IFSS is that we live up to that promise. The school is run like a working professional community with what we call a holistic approach to teaching, delivered through the Advanced Diploma of Screen and Media where students can focus on either Screenwriting, Directing and Producing OR Cinematography.

Apply online now at ifss. The ten-legged beast that is Karnivool has arisen from its slumber and is currently on its Melodias Frescas Tour.

Jul 31 Oxford Art Factory. Garnering one of the best responses of the night the boys played their hearts out to an audience that screamed back every word and at times simply resembled a sea of raised fists.

Maybe these guys should reconsider quitting? Straight-up melodic hardcore was the order of the day and with vocalist Nick Horsnell spending much of his time at the barrier, he was never short of punters looking to share the spotlight.

Miles Away are a force of nature that just keeps getting stronger. Just arty enough that the hipsters love them, their fervent old school mix of West Coast power violence and even a Pistols-like unpredictability ensures that they also appeal to a wide cross-section of.

The likes of Overcome, Stick Tight and One With The Underdogs incited the biggest pits of the night and sent a flood of bodies over the railings ensuring that security earned their keep.

Once again Terror absolutely destroyed with a performance that formed a fitting end to the strongest Hardcore yet. Mindsnare needed no introduction and the fact that they rarely play live these days just added to the anticipation for this performance.

Set of the night hands down. But with vocalist Ross Farrar throwing himself around like a rag doll and a slew of cuts from the Rohnert Park LP assaulting their eardrums, an initially bemused crowd quickly became rabid and increasingly sweaty converts.

I Exist — two words well a personal pronoun and a noun that can be described in half the space: Jul 27 Kings Cross Hotel. Jul 27 Oxford Art Factory J.

Aug 15 Enmore Theatre. Making their first trek Down Under after more than two decades in the game, the Singaporean trio incited a considerable degree of vigorous headbanging up front, leading frontman Shyaithan to lament why it had taken the band so long to finally make the trip.

While suitably crushing and workman-like in a manner only veterans can muster, their brand of blackened death was too nondescript to really resonate and at 45 minutes outstayed their welcome.

The improved mix also boosted their relentless fusion of black, death and thrash metal. Meshing material from excellent latest disc, Blood For The Master, with an uproariously received Apocalyptic Havoc alongside blistering Gravedom and closer, Invert The Virgin, from their debut, made for a mighty potent, extreme cocktail.

Playing alone with an acoustic guitar that he really knew his way around, his songs ranged from witty notably a set-closer about handjobs, angels and Sir Galahad to heartbreakingly tender.

He also ended one song by howling like a wolf and sang the entirety of Girl In The War standing away from the mic.

His performance was so engaging that he even managed to silence the chatty diners. After a solo visit at the end of last year, Simone Felice returned fully armed this time round.

Slim of stature, the American troubadour filled interludes between his songs with stories from his troubled life. His between-song banter was funny and nicely juxtaposed the darker tone of much of his work.

A solid early evening crowd welcomed a bare-footed Jack Carty to the stage for the first set of the night. His soothing acoustic guitar, honeyed vocals and playful harmonica warmed up the crowd perfectly for Melbourne five-piece, Dirt Farmer.

After a soundcheck that felt like it took an eternity, the. The addition of a harmonica really lifted the sometimes messy, guitar-heavy sound as they rattled through tracks including Real Young and Johnny Marble.

Singer Jordan Wilson was captivating to watch, throwing himself into every song with great vigour and belting out tracks accompanied by erratic head movements and flailing arms.

On a rainy Thursday, the Oxford Art Factory played host to an odd and disparate bill. They were at their best when at their least restrained and most relaxed, as their quieter moments contained a forced, elevated sense of drama.

Alas, things quickly went downhill when the rest of the band joined in. The synth, drums and bass served to turn what was a quite interesting acoustic sound into a stiff, derivative electro-pop genre-mash.

The inclusion of a clapping solo yes, seriously was quite charming. Hello Vera were the best of the supports, giving us dubbed-out trip hop with complex, rich rhythmic changes.

While some of their more symphonic, layered moments were a bit crowded a hazard of having two people banging keyboards at once , the majority of their set was stark, loquacious and sublime.

The less said about Holland the better. Poppy, middle-of-the-road and utterly forgettable. They almost cleared the room.

The Brow Horn Orchestra have smashed funk, hip hop, dancehall and techno together to form a sound that, if. Their on-stage energy is more infectious than Ebola, but luckily not nearly so distressing.

The BHO, as they will probably never become known, got the Oxford Arts as jumping as it was possible to get that night.

While the crowd was small, shy and probably traumatised by having to watch Holland, the BHO drew us out of our shells and into their world of high-energy fun.

These guys are going to slay on the festival circuit and on summer radio. But you should see them first, so you can tell all your friends you did.

Lawrence Arabia James Milne was in town to do some pre-promotion for his about to be released new album, The Sparrow, but up first were locals Bearhug who greatly impressed with their interweaving guitar sound and a nice handle on group dynamics.

They had a freshly minted bassist standing in, but there were no signs of new blood nerves or mistakes as they built up a nice rapport with the crowd with songs like Angeline from their debut album, Bill, Dance, Shiner.

Lawrence Arabia has always walked the tightrope between fey indie retro pop and more astute classic pop rock styles. His new songs show he has taken a large step toward the latter with a set that leant heavily on the new album, The Sparrow, along with earlier favourites like Apple Pie Bed.

His bassist Hayden Eastmond-Mein was the anchor with his Hofner bass pulsing and rolling out low slung rhythms and melodies with brilliant economy. The Sparrow features strings across many tracks so it was great to see the same treatment given to the songs in their live form, being so central to the mood of the music.

The highlights included Travelling Shoes, the folky The Listening Times, the playful jerkiness of The 03 and the smoky jazz wanderings of The Bisexual.

Perhaps the most enjoyable facet of their performance was the vocal interplay within the group. The three singers melded beautifully with doo wop synchronicity, all warm and enveloping both amid the music and even more so when they stopped playing and let their voices serenade the audience, as they did at the end of the set.

It was nice to see a band so faithfully recreate an album on stage both in mood and playing proficiency. Hopefully Lawrence Arabia will be back soon to treat more people to his heady pop explorations.

Taut and visibly ecstatic about the opportunity, Against All Godds and Condemned were standouts. Ruins mainman Alex Pope reportedly locked himself away in the Tasmanian wilderness for several weeks to complete their new opus.

He was therefore revelling in the chance to vent any pent-up frustration borne about from said isolation via a torrent of blast-beats, frostbitten melodies and demonic growls.

Only a fraction of the ticketholders were in for Beef Jerk, who are a moderately interesting unpolished group yet to find their mojo.

They had good, quirky songwriting, a lo-fi sound and a sense of humour, but lacked whatever it is that makes Pulp or early Mountain Goats compelling instead of odd.

They look like an awesome band to have a boyfriend in. They played their set to a half-full room and made the best of it.

But inbetween there was far too much ponderous gloomy rumbling. Rapids are a polished act with a contained, intense energy, and a heavy electro synth-andguitar wash stuck around for most of their set.

Their best moments were the poppier ones where the electro-drone was dropped and the rhythm section was allowed to hit some offbeats.

Reverbheavy vocals were spread over sassy liquid guitar lines that sounded like they belonged to a spacier version of Alice In Chains.

The room was totally packed by the time Sticky Fingers got going. A strong local following and on-stage energy meant the crowd responded to Sticky Fingers more than any other act of the night.

The lads were at their laddish best when they stuck to reggae crossover numbers. When they started from a rock basis, they sounded like a reasonably good aspiring arena-pop act with an inappropriately large bottom end to their sound.

But when the guys added rockier elements to their more centre-reggae songs, they hit the nail on the head, making you wonder why Warren Haynes never did a stint in Kingston as a session player.

The Medics closed the night, despite the fact that the crowd were clearly there for Sticky Fingers. Venue in Surry Hills is putting on a mixed bag of performances tonight, Tuesday, kicking off with the dynamic Brisbane trio Trichotomy, formerly Misinterpretato, who draw on the avant rock of Radiohead, ECM minimalism and improvisation to create their highly unique sound and will be joined by DVA, whose highly improvised sound has its roots in Indian, African and Eastern European music.

They take to the stage 8. Meanwhile, on that same Wednesday around 5pm, the Sydney Biennale Art After Hours series will commence and Twomey will be one of the two artists performing.

You can catch them at Spectrum this Saturday night, alongside local indie rockers Rockets. Sydney blues and roots artist Mick Hart is preparing to tour his seventh and most recent studio album, Side By Side.

Australian indie solo musician Jack Carty is taking up three-week residencies in both Sydney and Melbourne this week.

Recording live and on stage we always knew that there would be spill into other mics and alike but that seemed like a fair price to capture the right energy.

How did you get together? We met on eHarmony. The questionnaire at the start was so detailed and in depth, it was easy to find our perfect match.

Have you recorded anything or do you prefer to tool around in your bedroom? Dirty, hardcore, punk, rock.

If you could support any band in the world, who would it be and why? If a higher power smites your house and you can only save one record from the fire, what would it be?

Do you have a lucky item of clothing you wear for gigs and what is it? If you invited someone awesome round for dinner what would you cook?

The band are also releasing their Audio Democracy project, in which their fans will help decide which songs will be recorded and released.

How do you find the experience of trying to capture the live sound for this album? After a couple of gigs we knew that to get the sound we wanted for Wah Sa, we had to record.

Why did you choose that particular title? When I first read about this it stuck with me for weeks on end. Much later I wrote this bass line that was so addictive and hypnotic I thought it deserved that title.

Thus Wah Sa was born. The Partriarchs and The Van Bogans will both be taking to the stage to relive some of their favourite memories.

This Saturday night at the Metro, Australian rock idols Van She will finish up their national tour in promotion of their latest album, Idea Of Happiness.

The first single— and title track — from the album Idea of Happiness has been seen over , times on YouTube. They will be supported by Sydney electro artists Rufus.

Clagg from Melbourne and Summonus from Sydney are preparing to embark on a mini-tour of Sydney and Canberra. How would describe your sound?

Furthermore there is an elasticity to what is happening on the bandstand. Were you inspired straightaway?

It was the first time I had heard Freddie in a groove setup. I loved it straightaway. Even on the studio tracks there was something raw and innovative.

I later read a transcript of a Freddie Hubbard interview where he spoke of his desire to play like John Coltrane on A Love Supreme — my favourite jazz album of all time.

Entry will be free. Dust off your old guitar and join in, or settle back and enjoy the blues and roots sounds. This Friday night, Sydney-based mosh-metal band Aftermath will be performing at the Burdekin.

It will be on our forthcoming album. Only one golden nugget from the gold mine. Elana wrote the track ages ago in her old house in Redfern. Melbourne scrap-pop band New Estate will be launching their latest album in both Sydney and Newcastle this week, an album titled Recovery.

Was anything in particular inspiring you during the making? I guess Elana may have been feeling slightly less than happy while writing it, but for the recording maybe Joni Mitchell was an inspiration.

I really like the harmonium! Fusing genres as diverse as swamp rock and doowop, Sydney-based songstress, Iluka, is hitting up FBi Social this Thursday evening, along with up-tempo jungle beats maestros Castlecomer and storytelling chanteuse Eliza Hull.

Dirty blues riffs maestros The Fumes are all set to embark on a seven-date East Coast tour, stopping in at Wollongong and Sydney this week.

Do you play it differently live? For more info see: Sunday afternoon will be spent in Rozelle, at the Bald Rock Hotel. Sweet and heartfelt lyricist and Blue Mountains resident Rachael Brady will support her.

The genius that was Ray Charles lives on in his musical legacy, a fervent combination of blues, gospel, country and jazz that redefined 20th century American popular music and gave birth to soul music in the process.

In a special show Wednesday 12 July at Blue Beat, the powerhouse piece Sonic Mayhem Orchestra will feature guest Lachy Doley on Hammond and vocals, digging deep into the soul of classic hits.

We grabbed Doley to briefly chat about all things Ray Charles. So it will be good for me to hold back a little. Yes, this is the first single from a five-track EP we have recorded and will be releasing early Well as a band we just decided to just make hard music, music that makes you wanna pump your fist and sweat.

The half-time break down is a huge, soaring, musical eargasm… It rules! The goal is to play it the same. We rarely achieve our goals.

Will you be launching it? Do you remember the details of when you first came across a Ray Charles song and your impressions of it?

His piano playing and vocal have so much character and soul it was impossible for me to not get caught up in his music, especially when I started to get into his earlier catalogue.

As a keyboardist, how do you find playing his lines? Explosive Perth progressive rock act Karnivool are stopping in Sydney this week as part of their tour.

What has been your favourite gig at The Annandale and why? Nunchukka Superfly supported Canadian nu-metal band Kittie about seven years ago.

We played very well and everyone just hated us. Billy Childish using just an ancient vocal PA — he was brilliant! Can you remember your first-ever performance at The Annandale?

What was it like? Hard-Ons played there in just before we broke up. I remember playing there and trying to work out why it took us so long to actually get a show there.

Auld Lang Syne is about celebrating beginnings and endings. On the back of two incredibly well-received releases — Mississippi and Heart Of A Lion, both of which have been added to full rotation on triple j — the band are receiving rave reviews up and down the country for their wildly energetic live shows.

It was a radio hit in Spain. There were people in that room. When we started playing that song the crowd surged forward and everyone began singing along.

At the end of the song there was a stage invasion and the stage collapsed and people fell through the floor. The main difference would be that there were a lot more shows, less noise complaints, more violence.

Everything else is the same. The Mean Fiddler in Rouse Hills has thrown its stage open Thuysday nights to a talent competition that could see you becoming the next big thing without resorting to auditioning for some smarmy TV show.

The evening is free anyway, so why not pop along with your chosen musical weapon and see what the night might bring. Breaking a kick pedal first song is memorable, ending a show without a bass player onstage is too!

If not, what was bigger? As far as me singing out the front, this would have to be the biggest. I know The Hands definitely came close at our peak when we had horns and backing vocals.

I do feel truly honoured to be asked to do this show and be backed by the incredible musicians James Ryan has put together to celebrate the genius that is Ray Charles.

Was that his golden period you think? Was there another time when Ray may have been at his prime? I think this period was incredible.

What an experience it would have been seeing that. However I got to see Ray play two years before he passed and it was one of the most incredible performances I have ever seen.

Ray is a true example of someone who just got better and better right till the end. They will be supported by Sydney lo-fi indie-rock outfit StepPanther, whose honest and self-deprecating approach to music has earned them some attention.

They have plenty to show punters at this concert, with a single, called Like Lovers Do, just out. Medicated Youth and Bambino Koresh will support them.

The renowned Australian hard rock band played many of their start-up gigs at the venue, so this performance should be a particularly nostalgic one.

Brass Monkey - Cronulla. Sandringham Hotel downstairs - Newtown. Northies, Sports Bar - Cronulla. Crows Nest Hotel late - Crows Nest.

Quakers Inn - Quakers Hill. Revesby Workers - Revesby. Fairfield Supper Club - Fairfield. King St Brewhouse - City. Terrace Bar, Mounties - Mt Pritchard.

Northies, Northies Bar - Cronulla. Mean Fiddler Hotel - Rouse Hill. Sound Lounge, Seymour Centre - Chippendale.

If you are a Vodafone customer there is likely to be some disruption to your service. We apologise sincerely for any inconvenience.

If you have any queries or experience any issues please visit vodafone. Literally days after announcing that he would be debuting his new Mapex MyDentity drumkit on the current leg of the Alice Cooper No More Mr Nice Guy tour of the US, drummer Glen Sobel has had to pull out of the tour because of a persistent neck injury.

MyDentity kits are the latest innovation from Mapex whereby drummers can custom order kit details such as sizes, drum and hardware finish options via an online kit builder program.

Inevitably space is limited so best get onto the Big Music website and register, or call 02 for more details. It seems it all began a little chaotically anyway, with only part of the band actually making to Norway, but at least the drums were definitely recorded.

The next problem came when nobody could find the original files. All they had was a bounce-down of a raw mix.

The fact that those members that made it to the studio then proceeded to muck up rather than record only added to the confusion. The new album, Frantic, from Seattle-based veteran rockers Heart due for release in October, was recorded in hotel rooms and studios up and down the American west coast with Grammy Award-winning producer Ben Mink.

The latest — and first proper studio rather than bedroom — album, The Middle, from Sydney threepiece Circle, was produced by founding band member Radi Safi, with the help of engineer Mike Stavrou America, David Bowie, Kate Bush , with some finishing touches from Brian Gardner Phoenix.

Which is kind of a ridiculous amount of time to make a record. And a lot of the. That just sounds completely broken! Some years ago it used to be a funeral home!

The acoustics are beautiful. What areas of engineering do you specialise in? Studio recording, mixing and mastering. What is your favourite kind of project to work on?

Solo vocalist and band recording and mixing. Good vocal mics, good mic preamps and a fast computer. What do you like to see from an artist or band in the studio?

Having fun and loving what they do. Are you currently working for a studio or are you freelancing? I freelance but also work regularly out of several studios.

Do you have any advice for young or inexperienced artists who are heading into a recording studio? Be prepared, rehearse your material get used to using a microphone.

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